Plays by Roswitha of Gandersheim (korean novels in english .txt) ๐
Description
Roswitha, also known as Hrotsvitha of Gandersheim, was a tenth century German canoness, dramatist, and poet. A remarkable woman, she has been called the first Western playwright since antiquity as well as the first known woman playwright. She was inspired by the Roman comic playwright Terence, who wrote six farces filled with disguises, misunderstandings, and pagan debauchery. Upset by Terenceโs immoral subject matter but also inspired by his well-crafted plays, Roswitha sought to โChristianizeโ his work by writing six plays of her own.
Roswitha wrote six dramas in Latin. Two are concerned with the conversation of nonbelievers (Gallicanus and Callimachus), two are concerned with the repentance of sinners (Abraham and Paphnutius), and two are concerned with the martyrdom of virgins (Dulcitus and Sapientia).
This edition, originally published in 1923, includes an introduction by Cardinal Francis Aidan Gasquet (an English Benedictine monk and scholar), a critical preface by the translator (Christopher St. John), and prefaces written by Roswitha herself.
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- Author: Roswitha of Gandersheim
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The conversion of Thais by the hermit Paphnutius. Obedient to a vision, he leaves the desert, and, disguised as a lover, seeks out Thais in Alexandria. She is moved to repent by his exhortations and, renouncing her evil life, consents to be enclosed in a narrow cell, where she does penance for three years. Paphnutius learns from a vision granted to Anthonyโs disciple Paul that her humility has won her a place among the blessed in Paradise. He brings her out of her cell and stays by her side until her soul has left her body.
CharactersPaphnutius
Thais
The Abbess
Lovers fo Thais
Disciples of Paphnutius
Antony
Paul
Paphnutius Scene I Disciples9 Why do you look so gloomy, father Paphnutius? Why do you not smile at us as usual? Paphnutius When the heart is sad the face clouds over. It is only natural. Disciples But why are you sad? Paphnutius I grieve over an injury to my Creator. Disciples What injury? Paphnutius The injury His own creatures made in His very image inflict on Him. Disciples Oh, father, your words fill us with fear! How can such things be? Paphnutius It is true that the impassible Majesty cannot be hurt by injuries. Nevertheless, speaking in metaphor, and as if God were weak with our weakness, what greater injury can we conceive than thisโ โthat while the greater world is obedient, and subject to His rule, the lesser world resists His guidance? Disciples What do you mean by the lesser world? Paphnutius Man. Disciples Man? Paphnutius Yes. Disciples What man? Paphnutius Every man. Disciples How can this be? Paphnutius It has pleased our Creator. Disciples We do not understand. Paphnutius It is not plain to many. Disciples Explain, father. Paphnutius Be attentive, then. Disciples We are eager to learn. Paphnutius You know that the greater world is composed of four elements which are contraries, yet by the will of the Creator these contraries are adjusted in harmonious arrangement. Now, man is composed of even more contrary parts. Disciples What can be more contrary than the elements? Paphnutius The body and the soul. The soul is not mortal like the body, nor the body spiritual as is the soul. Disciples That is true. But what did you mean, father, when you spoke of โharmonious arrangementโ? Paphnutius I meant that as low and high sounds harmoniously united produce a certain music, so discordant elements rightly adjusted make one world. Disciples It seems strange that discords can become concords. Paphnutius Consider. No thing is composed of โlikesโโ โneither can it be made up of elements which have no proportion among themselves, or which are entirely different in substance and nature. Disciples What is music, master? Paphnutius One of the branches of the โquadriviumโ of philosophy, my son.
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