Lavengro by George Borrow (read me a book txt) 📕

but he was a very silent man⁠—yet there was much in Taggart⁠—and Taggart had always been civil and kind to me in his peculiar way.

“Well, young gentleman,” said Taggart to me one morning, when we chanced to be alone a few days after the affair of the cancelling, “how do you like authorship?”

“I scarcely call authorship the drudgery I am engaged in,” said I.

“What do you call authorship?” said Taggart.

“I scarcely know,” said I; “that is, I can scarcely express what I think it.”

“Shall I help you out?” said Taggart, turning round his chair, and looking at me.

“If you like,” said I.

“To write something grand,” said Taggart, taking snuff; “to be stared at⁠—lifted on people’s shoulders⁠—”

“Well,” said I, “that is something like it.”

Taggart took snuff. “Well,” said he, “why don’t you write something grand?”

“I have,” said I.

“What?” said Taggart.

“Why,” said I, “there are those ballads.”

Taggart took snuff.

“And those wonderful versions from Ab Gwilym.”

Taggart took snuff again.

“You seem to be very fond of snuff,” said I, looking at him angrily.

Taggart tapped his box.

“Have you taken it long?”

“Three-and-twenty years.”

“What snuff do you take?”

“Universal mixture.”

“And you find it of use?”

Taggart tapped his box.

“In what respect?” said I.

“In many⁠—there is nothing like it to get a man through; but for snuff I should scarcely be where I am now.”

“Have you been long here?”

“Three-and-twenty years.”

“Dear me,” said I; “and snuff brought you through? Give me a pinch⁠—pah, I don’t like it,” and I sneezed.

“Take another pinch,” said Taggart.

“No,” said I, “I don’t like snuff.”

“Then you will never do for authorship⁠—at least for this kind.”

“So I begin to think⁠—what shall I do?”

Taggart took snuff.

“You were talking of a great work⁠—what shall it be?”

Taggart took snuff.

“Do you think I could write one?”

Taggart uplifted his two forefingers as if to tap, he did not, however.

“It would require time,” said I, with half a sigh.

Taggart tapped his box.

“A great deal of time; I really think that my ballads⁠—”

Taggart took snuff.

“If published would do me credit. I’ll make an effort, and offer them to some other publisher.”

Taggart took a double quantity of snuff.

XLII

Occasionally I called on Francis Ardry. This young gentleman resided in handsome apartments in the neighbourhood of a fashionable square, kept a livery servant, and upon the whole, lived in very good style. Going to see him one day, between one and two, I was informed by the servant that his master was engaged for the moment, but that, if I pleased to wait a few minutes, I should find him at liberty. Having told the man that I had no objection, he conducted me into a small apartment which served as antechamber to a drawing-room; the door of this last being half-open, I could see Francis Ardry at the farther end, speechifying and gesticulating in a very impressive manner. The servant, in some confusion, was hastening to close the door, but, ere he could effect his purpose, Francis Ardry, who had caught a glimpse of me, exclaimed, “Come in⁠—come in by all means,” and then proceeded, as before, speechifying and gesticulating. Filled with some surprise, I obeyed his summons.

On entering the room I perceived another individual to whom Francis Ardry appeared to be addressing himself; this other was a short, spare man of about sixty; his hair was of a badger grey, and his face was covered with wrinkles⁠—without vouchsafing me a look, he kept his eye, which was black and lustrous, fixed full on Francis Ardry, as if paying the deepest attention to his discourse. All of a sudden, however, he cried with a sharp, cracked voice, “that won’t do, sir; that won’t do⁠—more vehemence⁠—your argument is at present particularly weak; therefore, more vehemence⁠—you must confuse them, stun them, stultify them, sir;” and, at each of these injunctions, he struck the back of his right hand sharply against the palm of the left. “Good, sir⁠—good!” he occasionally uttered, in the same sharp, cracked tone, as the voice of Francis Ardry became more and more vehement. “Infinitely good!” he exclaimed, as Francis Ardry raised his voice to the highest pitch; “and now, sir, abate; let the tempest of vehemence decline⁠—gradually, sir; not too fast. Good, sir⁠—very good!” as the voice of Francis Ardry declined gradually in vehemence. “And now a little pathos, sir⁠—try them with a little pathos. That won’t do, sir⁠—that won’t do,”⁠—as Francis Ardry made an attempt to become pathetic⁠—“that will never pass for pathos⁠—with tones and gesture of that description you will never redress the wrongs of your country. Now, sir, observe my gestures, and pay attention to the tone of my voice, sir.”

Thereupon, making use of nearly the same terms which Francis Ardry had employed, the individual in black uttered several sentences in tones and with gestures which were intended to express a considerable degree of pathos, though it is possible that some people would have thought both the one and the other highly ludicrous. After a pause, Francis recommenced imitating the tones and the gestures of his monitor in the most admirable manner. Before he had proceeded far, however, he burst into a fit of laughter, in which I should, perhaps, have joined, provided it were ever my wont to laugh. “Ha, ha!” said the other, good humouredly, “you are laughing at me. Well, well, I merely wished to give you a hint; but you saw very well what I meant; upon the whole, I think you improve. But I must now go, having two other pupils to visit before four.”

Then taking from the table a kind of three-cornered hat, and a cane headed with amber, he shook Francis Ardry by the hand; and, after glancing at me for a moment, made me a half-bow, attended with a strange grimace, and departed.

“Who is that gentleman?” said I to Francis Ardry as soon as we were alone.

“Oh, that is ⸻” said Frank smiling, “the gentleman who gives me lessons in elocution.”

“And what need have you of elocution?”

“Oh, I merely obey the commands of my guardians,” said Francis, “who