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eat together. She did this, but it waseasy to see that she did not do it willingly. The frog enjoyed what heate, but almost every mouthful she took choked her. At length he said,I have eaten and am satisfied; now I am tired, carry me into thy littleroom and make thy little silken bed ready, and we will both lie downand go to sleep.The King's daughter began to cry, for she was afraid of the coldfrog which she did not like to touch, and which was now to sleepin her pretty, clean little bed. But

The inadequate boat finally arrived at a precarious landing, thenatives, waist-deep in the surf, assisting. I was carried ashore,and while the evening meal was being prepared, I wandered to andfro along the rocky, shattered shore. Bits of surf-harriedbeach clove the worn granite, or whatever the rocks of CapeFarewell may be composed of, and as I followed the ebbing tidedown one of these soft stretches, I saw the thing. Were oneto bump into a Bengal tiger in the ravine behind the BiminiBaths,

I had been taught, all my courage, not to collapse in a paroxysm of fright.And now a perfect tornado burst upon me. The ground shook as though thousands of horses thundered across it; and this time the storm bore on its icy wings, not snow, but great hailstones which drove with such violence that they might have come from the thongs of Balearic slingers--hailstones that beat down leaf and branch and made the shelter of the cypresses of no more avail than though their stems were standing-corn.

ght for it; and so we waited. I had, I felt, gained an advantage in the last few seconds, for I knew my danger and understood the situation. Now, I thought, is the test of my courage-the enduring test: the fighting test may come later!The old woman raised her head and said to me in a satisfied kind of way: A very fine ring, indeed-a beautiful ring! Oh, me! I once had such rings, plenty of them, and bracelets and earrings! Oh! for in those fine days I led the town a dance! But they've forgotten

NTENTS OF VOLUME I.PROLEGOMENA AND GENERAL INTRODUCTION TO THE BOOK ON PAINTING Clavis Sigillorum and Index of Manuscripts.--The author's intentionto publish his MSS. (1).--The preparation of the MSS. forpublication (2).--Admonition to readers (3).--The disorder in theMSS. (4).--Suggestions for the arrangement of MSS. treating ofparticular subjects (5--8).--General introductions to the book onpainting (9--13).--The plan of the book on painting (14--17).--Theuse of the book on painting

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