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reece.--Rome.--Gothic Europe.--Europe of the Renaissance,--seventeenth, eighteenth and nineteenth century through Mid-Victorian period.--Cord tied about waist origin of costumes for women and menXV THE STORY OF PERIOD COSTUMES 172 A RΓSUMΓ. Woman as seen in Egyptian sculpture-relief; on Greek vase; in Gothic stained glass; carved stone; tapestry; stucco; and painting of the Renaissance; eighteenth and nineteenth century portraits.--Art throughout the ages reflects woman in every rΓ΄le; as
the oldest and best minds of this country havefelt--At least those minds were shrewd in choosing their agent, sherejoined. Yes; you are fanatic, that is plain. You will obeyorders. And you have not been much used to women. That makes itharder for me. Or easier! She smiled at him again, very blithefor a prisoner. It ought to have been held down to that, he began disconsolately,I should have been all along professional only. It began wellwhen you gave me your parole, so that I need not sit
onant college revellers, who call him a prig, and seek to annoy him. Long mornings of study, and nights feverish from ill-health, are spent in those chambers; he is often listless and in low spirits; yet his natural temper is not desponding, and he delights in employment. He has always something to learn or to communicate--some sally of humour or quiet stroke of satire for his friends and correspondents--some note on natural history to enter in his journal--some passage of Plato to unfold and
never troubles the poultry of the farms nearest her den. She will forage for miles in every direction; will harass the chickens of distant farms till scarcely a handful remains of those that wander into the woods, or sleep in the open yards; yet she will pass by and through nearer farms without turning aside to hunt, except for mice and frogs; and, even when hungry, will note a flock of chickens within sight of her den, and leave them undisturbed. She seems to know perfectly that a few missing